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Ruben Lundgren | photographer and bookmaker 更多阅读

Ruben Lundgren | 摄影师兼著作家

Having graduated from the Central Academy of Fine Arts in Beijing and worked 10 years as part of the Dutch photographers duo WassinkLundgren, Ruben Lundgren is a photographer, curator and bookmaker whose projects explore the world of the mundane to reveal hidden stories both present and past that play with cultural perception and inadvertent misconceptions. Projects are often self-initiated and realized in collaboration with other creators and encompass performative aspects that ignite situations later immortalized in photography and books. 同题参见

During his presentation for our #flexibleprinciples salon, Ruben shared many of the projects he has developed as a visual researcher which have taken the shape of collected photo books among which is The Chinese Photobook (2015) co-edited with photographer Martin Parr, showing a history of Chinese photobook publishing since 1900 to the present. 同题参见

 

并与其他创作者合作实现,覆盖表演方面,其课题包括探索世俗世界,利用文化理解与无意误解,揭示现存和过去未被发掘的故事。因此通常是自我发起研究课题,Ruben Lundgren毕业于中央美术cctv55最新版下载,并与荷兰摄影师WassinkLundgren合作了10年。Ruben Lundgren是一名摄影师、策展人兼著作家。后期在摄影和书籍领域创造经典。

展示出自1900年至今中国写真集出版史。Ruben分享了他作为视觉研究人员开发的许多项目,这些项目采用了收集照片薄的形式,其中包括与摄影师Martin Parr共同编辑的中国相册(2015年),在他的#flexibleprinciples沙龙的演讲中,

 

Ruben Lundgren | 摄

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One of his most recent projects is Anything That Walks, Vernacular Food Photography From China which brings together a disparate and eclectic collection of amateur photos and photo albums of Chinese food and food production, coming from the extensive collection of The Archive of Modern Conflict. 

“The diversity and richness of the Chinese cuisine have been a fascination for both Chinese and foreigners alike. In China, anything that walks, swims, crawls, or flies with its back to heaven seems edible. 

Over the last couple of decades the country’s obsession with food created an inspiring track of anonymous photographs and photo albums. 

From black and white pictures of birthday cakes in the 1960s to a great wall of ham in the 1990s.

It is easily forgotten how difficult and labor-intensive it used to be to present one’s ideas in a photographic way.

Prints were made in a smelly darkroom, sometimes hand-colored and finally cut and pasted into albums. The process itself invited you to be creative.”

Most of the materials are distracted from the extensive collection of the Archive of Modern Conflict sourced by Thomas Sauvin and Ruben Lundgren over the last 8 years.

It playfully explores and celebrates the role of food within Chinese contemporary history in a visual explosion of photographs.

 

收集了来自中国现代冲突档案馆广泛收藏的中国食物和食物生产的业余图片和图集。此外最近开展的项目之一是《行走的一切》,

“中式菜肴的多样性和丰富性一直备受中国人和外国人的青睐。 在中国,任何陆地上行走的、水里游的、爬行的或飞行的动物都可以食用。

在过去几十年里,这个cctv55最新版下载对于食物的痴迷最终形成了一个个激动人心的匿名照片和相册。

从20世纪60年代的黑白蛋糕照片,到20世纪90年代的火腿长城。

人们很容易忘记过去以摄影方式呈现一个人的想法是多么的困难和费力。

在通风不畅的暗室中打印照片,最后切割并粘贴到相册中。这个过程本身就要求参与者发挥创意。“有时还需要手工着色,

大多数材料摘自Thomas Sauvin和Ruben Lundgren过去8年中收集的大量现代冲突档案资料。

 通过具有视觉冲击力的照片,在中国当代历史中诙谐地探索食物的作用。

 

curator and bookma

During his present

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